The True Story Of The Beatles : Shout! by Philip Norman

Philip Norman's 'Shout! The True Story Of The Beatles stands as a seminal work in the vast canon of Beatles literature. First published in 1981, it arrived at a pivotal moment, just after John Lennon's assassination, offering one of the first truly comprehensive and unflinching looks at the band's meteoric rise and eventual dissolution. Philip Norman, a seasoned journalist, brings a critical eye and a wealth of research to this book, aiming to peel back the layers of myth and reveal the complex realities of the four men who changed the face of popular music.

The Beatles in Hamburg

What immediately strikes me is the meticulous attention to detail. Our author delves deep into the early lives of John, Paul, George, and Ringo, tracing their formative years in Liverpool, their rough-and-tumble apprenticeship in Hamburg (pictured above), and the gradual alchemy that transformed them into the global phenomenon known as The Beatles. Norman doesn't shy away from the less glamorous aspects, exploring the internal tensions, the ego clashes, the pressures of fame, and the personal struggles that often lie beneath their polished public image. He meticulously chronicles their creative evolution, from their early pop hits to their groundbreaking studio albums, providing context for each artistic leap.

A significant portion of the book is dedicated to the intricate and often fraught relationship between John Lennon and Paul McCartney, the primary songwriting partnership. Norman explores their creative synergy, their competitive drive, and the eventual fracturing of their bond. He also sheds light on the pivotal roles played by manager Brian Epstein and producer George Martin, acknowledging their crucial contributions to the Beatles' success.

However, 'Shout!' is not without its controversies. Portrayals of certain individuals, particularly Paul McCartney, have been criticised by some as overly harsh or biased. His narrative, while thoroughly researched, often carries a strong authorial voice that interprets events through a particular lens. This subjective element means that while the book is incredibly informative and engaging, it's not always a universally accepted account. I'd approach it as one significant perspective among many, rather than the definitive, unbiased truth - we Beatles fans can easily take sides. 

Despite these criticisms, 'Shout!' remains an indispensable resource for anyone seeking a deep understanding of The Beatles. Its scope is immense, its research impressive, and its narrative compelling. It provides a rich tapestry of the cultural, social, and personal forces that shaped the most influential band in history. For those who want to move beyond the hagiography and explore the human complexities behind the legend, Philip Norman's 'Shout!' offers a powerful and enduring account.

I got this from World of Books, which is a great resource for second-hand books. 

www.ryanoxleyblogs.blogspot.com 

Beatles '64 - I'm a huge The Beatles fan! Is this worth a watch?

I loved The Beatles' Disney + epic 'Get Back' and was delighted to finally watch the latest resurgence of archive Beatles films, 'Beatles 64,' directed by Martin Scorsese. 

The film tells the story of the 'Fab Four' arriving in the States for a 2-week cultural tour (between 19th August and 20th September 1964) with a selection of talking heads who lived it, including archive gig footage. The real gem for any true hardcore Beatles fan is the 1964  backstage film of the band relaxing in a USA hotel ( it looks like a hotel scene from 'A Hard Day's Night) that has remained unseen until now. This 1964 footage (although directed by Scorsese) was filmed by two brothers who followed the band around America on their first stateside trip, capturing this magnificent music history for prosperity and Disney+ subscribers!!

Modern-day accounts of The Beatles hey-days come from an ageing Paul McCartney (who also shows off his 1964 photo collection) and Ringo Starr, interspersed with archive John Lennon and George Harrison interviews. The film also features an impressive collection of famous fans as Scorsese films chat with Smokey Robinson, Ronnie Spector, and David Lynch. Following the band to Washington, we get to see them debut on the Ed Sullivan Show with some live footage of that gig and watch John Lennon in a 1970s interview, one which I'd never seen before. It's a fantastic collection of footage - the film also tells the story of America's cultural resurgence, following the assassination of JFK at the end of '63. The Beatle's arrival in New York is seen as the awakening of a country coming out of collective mourning. 

As someone who's watched countless 'The Beatles' interviews, books and cinema, I was incredibly impressed by this film and felt I'd learned more about my favourite band. I've also discovered that Scorses' directed a George Harrison film called 'Living In The Material World' -that's my next watch! 

Words by @rybazoxo 

www.ryanoxleywriter.blogspot.com 

Nick Cave and Sean O' Hagan Book Review "Faith,Hope, and Carnage""

Having recently seen Nick Cave and the Bad Seeds live in Manchester, I thought it would be worth reading "Faith, Hope, and Carnage", a book co-written by Nick Cave and journalist Sean O’Hagan, and I'm glad I did. This book is an absolute blueprint of what all future rock journalism should look like. This isn't just a Rock n Roll interview book, it's a profound exploration of life, faith, grief, and creativity. The book takes the form of an extended conversation between Cave and O’Hagan, touching on topics as diverse as the nature of art, the role of faith, and the emotional impact of personal loss. As a result, the book feels less like a conventional memoir and more like a deeply personal meditation, as Nick Cave ( I discovered his genius via the Peaky Blinders soundtrack) opens up about his struggles and transformations in a cathartic and lucid way. 

Although it is a book about songwriting and Cave's immense work ethic, the motif that runs throughout is the touching taboo of grief. Cave has suffered tragic personal loss, including the death of his son Arthur in 2015. This experience has fundamentally changed his approach to life, art, and spirituality, and much of Faith, Hope, and Carnage centres on how Cave has attempted to process and live with his grief. Through his conversations with O’Hagan, Cave rarely tries to rationalize his suffering or provide a path to healing; he speaks honestly about the raw, often painful journey of grief and the moments of unexpected grace that can emerge along the way. This openness and vulnerability make the book incredibly moving and relatable for anyone who has faced similar struggles. For a staunch atheist like me, Cave's devout faith is humbling - his questionable (at times) agnostic attitude is also refreshing. 

Nick Cave in Manchester Nov 5th 2024 Image by @rybazoxo

Another striking element of the book is Cave’s evolving relationship with faith. Despite being known for his often dark and provocative music, Cave has grown increasingly interested in questions of spirituality and the search for meaning. He speaks candidly about his complex relationship with Christianity, describing faith not as a solution but as a way of grappling with religion and its often conflicting theology. Cave’s reflections on faith are nuanced and reflective, capturing the hope, doubt,  and naked faith that come with seeking a deeper purpose. For readers interested in spirituality, his reflections offer a fresh perspective free of dogma, grounded instead in lived experience and a willingness to embrace mystery. As a fan of his music, yet unapologetically unreligious, I found this part the most interesting. 

Nick Cave Image by @rybazoxo

The conversations also delve into Cave’s artistic process, shedding light on how his creative vision has shifted over his 40-year career. Known for his work with the band The Bad Seeds, Cave has long been lauded for his darkly poetic lyrics and evocative storytelling. But in Faith, Hope, and Carnage, he reflects on how his recent experiences have transformed his art, pushing him toward a more open, compassionate view of the world. He discusses his current creative practices, encompassing openness and vulnerability, and how he has come to see art as a way of connecting with others. Cave’s thoughts on creativity are insightful, illustrating how art can be a means of self-expression and healing.

WILD GOD is available now 

Ultimately, Faith, Hope, and Carnage is a powerful, thought-provoking book that goes beyond the conventional boundaries of a memoir, interview or rock biography. It’s a work of introspection and philosophical questioning that invites you to think about your own life, struggles, and their meaning. For fans of Nick Cave or anyone drawn to questions of faith, loss, and creativity, this book offers a resonant, transformative experience and is one of the best I've read in quite some time. 

Ryan's Read Rating - 8/10

I bought this from 'World Of Books'  a brilliant website for buying 2nd hand - helping to save the world, sustainability, and books!

www.ryanoxleywriter.blogspot.com 

GIG REVIEW ll RYAN ADAMS ll SHEFFIELD CITY HALL ll 24/09/24

Words by Ryan Oxley 

Sat in the third row at the front of the stage, the 75% capacity Sheffield City Hall (this was a Tuesday night) seemed eager to applaud Americana singer/songwriter Ryan Adams, who was due on stage at 20:00. As the lights dimmed at 20.05, and I've been a fan of his for 20 years, my excitement was palpable at my first time seeing him live. It was a solo show, so I expected this to be a Ryan Adams plus guitars show. 

 I wasn't expecting a piano, a coat rack, or dim lights, which gave the evening a cabaret club feel. Sat within a metre of two of the ‘Gimme Something Good’ tunesmith, I had a perfect seat, but I did feel for those who would have sat much further back, the atmosphere (just like the guitars) wasn't electric - it was dark and in more ways than one. Ryan Adams seemed self-deprecating, dour and came across as arrogant.

Although his eclectic back catalogue and demonstratable music talent were present tonight, the eagerness of the audience virtually disappeared about three songs into the set-list, when Adams stopped the show to complain about camera phones, and their flashes ruining his concentration. 

Although billed as a 3-hour 30-song show, which he did complete, he threatened to call the show off earlier if the cameras continued flashing, so the audience seemed to cool, although the atmosphere did not. Ryan had guitar tech ‘Drew’ and a lightning guy - that was it. When the music flowed, you could have heard a pin drop. However, at times he appeared distracted, had his back to the audience when on piano, and even singled out a fan, whom he called a ''douchebag'' for taking some film of one of his songs; ‘'It’s (the footage) is for a friend who couldn't make the gig tonight’' said the fan, but Ryan was not amused. 

He (Ryan) spoke candidly in between songs about depression and sobriety, which is perfectly fine ( I think I misconstrued the self-deprecation for that) but being sat so close whilst he chastised fans was seriously awkward. 

Calling the interval early, Ryan came back on stage in a markedly different disposition and gave an incredible second half of the show, delving into his mighty back catalogue and showcasing talent, yet the atmosphere remained remarkably dour. 

I'd waited 20 years for this gig and paid £70 for the pleasure, all whilst sat at the front, but had I been sat further back? I would have probably left earlier, and unlike Ryan Adams, I would have meant it. 

Ryan Adams is still on tour 

www.ryanoxleywriter.blogspot.com 

Have you seen a brilliant artist who was also a bit of a douchebag? 

Let me know in the comments section.