Sheffield Monologue Writer, TV reviewer, & Northern Opinion Pieces

Showing posts with label 2024. Show all posts
Showing posts with label 2024. Show all posts

Sunday 7 April 2024

NICK CAVE - WILD GOD - WATCH THE ALBUM TRAILER



By @rybazoxo ll Sunday APRIL 7th 2024 ll


My first-ever Nick Cave gig is lined up for November at Manchester Arena, UK. Alerted to the tickets via Instagram, I excitedly joined a pre-sale (for the first time) mailing list, and with that, I’m now on the nickcave.com website. All this Nick Cave PR is because he has a new album due out in August and a trailer for the album has been released on YouTube. I got a pre-listen link and gave it a whirl. 


Having watched the 2.14-minute teaser, I can tell you that Nick Cave is clearly in a recording studio and is being filmed in a documentary-style format. Is this teaser going to be a full documentary 'making of'? I do hope so. Watching Nick Cave and the Bad Seeds jamming, vocalising, and the whole creative process itself is quite a treat and the vocal refrain on ‘Bring Your Spirits Down’ isn't much of a lyrical clue to any of the album track listings, which have also been released (below)


The ten-track album listing is as follows; 


1. Song of the Lake

2. Wild God

3. Frogs

4. Joy

5. Final Rescue Attempt

6. Conversion

7. Cinnamon Horses

8. Long Dark Night

9. O Wow O Wow (How Wonderful She Is)

10. As the Waters Cover the Sea


Tickets for the 'WILDGOD' tour 


Watch the video HERE and let me know what you think! ROLL ON NOVEMBER!!!


Stream WILDGOD 






ryanoxleywriter@gmail.com is your contact for music/band/artist & website PR

Sunday 31 March 2024

MUSIC REVIEW : FINNISH indie From Alec Danger - Cyber Thumb




by @rybazoxo ll March 31st 2024 ll

New music landed in the inbox this week (ryanoxleywriter@gmail.com) from Finland!

Alec Danger, a Finnish singer-songwriter & producer, is returning to the FINNISH music scene with the single ‘Cyber Thumb’ officially released via Ya Ya Records & Gigs on the 7th of March. 


CYBER-THUMB is a popular culture reference and social commentary on the perils of social media: the cyber thumb we all have - continuously doom-scrolling through our content algorithms that seemingly seep their way into our soul (I think) Alec describes this as ‘’a socially-critical song towards algorithms and talks about our relationship with the internet and social media, our obsession with youth and showing others only the highlights of our lives when behind that facade, there can be a lot of disguised suffering.”


CYBER-THUMB is a catchy English language electro-pop anthem that would be welcome on any European radio station. CYBER-THUMB is an instant ear-worm for the indie club dancefloor. The track is off Alec Danger’s debut album Mortui Vivos Docent, due in the spring of 2024. 


Cyber Thumb artwork 


The video (which you can watch here) was shot spontaneously in the summer of 2023 in Heidelberg, Germany - using abandoned, empty industrial spaces, dance choreography, live footage and nature phenomena. Charlotte Kahler conducted the choreography, directing, shooting and editing. 


Listen to CYBER THUMB on Spotify 


Got a new music track for promo? email ryanoxleywriter@gmail.com 



Saturday 30 March 2024

Nick Cave - Wild God- Single Review



by @rybazoxo // March 30th 2024 //

Indie-alt rocker Nick Cave has just announced a worldwide tour of which I've been lucky enough to land myself a pre-sale ticket for Manchester in November. Nick Cave And The Bad Seeds has been stellar since the early 90s, but I didn't start listening until an introduction via the Peaky Blinders soundtrack: I became an instant fan. Still fresh with the embryonic enthusiasm and excitement (that comes with) discovering an established artist’s back catalogue, I thought I’d give his latest single ‘Wild God’ a review for my website. 

WILD GOD is the band's 18th album, set for release on August 30th 2024. The single that gave the album its name went live on March 6th 2024 via YouTube, and that's where my review begins. 

Delivered in Nick Cave’s unmistakable style, the single has a rather bouncy feel. As someone who has only listened to the mournful music within his back catalogue - this is a first for me!

The lyrics are typical of Nick Cave: gothic storytelling, mystical references and biblical imagery. It's a story of a man on a journey of redemption/ reckoning and all of the hallmarks of some seismic new material from the troubadour of doom. In among the expected Nick Cave wordplay was an unexpected reference to ‘Jubilee Street’ somewhat of an easter-egg in lyrical form, maybe? A crescendo chorus, a lyrical lament to a ‘wild god’, choral-sounding backing singers, and a pounding synth/goth/electro beat drive the song’s pace. If this single is anything to buy, ‘Wild God’ may not be wild in anything distinct (regarding a new musical direction). Yet, it contains all the essential Nick Cave sound and lyrical motifs that I am continuing to become familiar with. 

I get to see ‘WILD GOD’ live in November, and if you're quick enough, you can grab some tickets via the link below. 

Watch the video to ‘WILD GOD’ here 

All this, and more, can be found on the NICK CAVE website. Click the link! 

You've been reading https://ryanoxleywriter.blogspot.com/

Sunday 24 March 2024

New Music Review : Sandra Kolstad : Nordic Art Pop



By @rybazoxo // Sunday March 24th 2024 

It’s been a while (but to get this website into shape) I thought I’d review some music. Harking back to my radio DJ days I still get sent new music by email and quite a bit from Norway (random. but true) 

Norwegian musician Sandra Kolstad releases her new album "SOFT HARD"  on March 15th, with "Wind" being the focus single

Sandra Kolstad is a completely unknown artist to me but her latest single ‘Wind’ from her seventh album ‘Soft-Hard’ is an art-pop introduction I could gladly spin on repeat. 

Best known for her electronic music her seventh album, SOFT HARD makes an artistic U-turn and returns to her original main instrument: the piano. It has been an ambivalent rendezvous.

"On good days, it was like meeting an old friend. But usually, it was like meeting an old enemy," says Kolstad herself about the process. "I wanted to deconstruct the piano, open it up, not treat it with as much respect as I did when entering the classical music world as a child."

Textually, SOFT HARD is an exploration of human extremes: to be soft and hard (at the same time)in body and spirit. A longing to rid oneself of old layers, a kind of expulsion of spiritual sediment. Musically, SOFT HARD is a sonic exploded view, where Kolstad explores the piano's possibilities in tone and combination with electronics. 

"There is probably something in me that has always longed for the piano since I left it. I have been in a split between electronic music and acoustic music. It has been a musical - and human - split. SOFT HARD is my attempt to unite these two life worlds that the electronic and the acoustic represent for me. It is a union of head and body, an anti-duality," says Kolstad herself.

Sandra Kolstad's musical journey is filled with adventure and redirection, coming near full circle with her latest work. It began with training under the tutelage of Norwegian composer and pianist Wolfgang Plagge, before a daring escape from the tradition of classical music and the grandeur of the piano-led her into the playful realms of electronic music, dance, and club culture. Now, on her upcoming album, "SOFT HARD," Kolstad reconciles with her roots, returning to the piano with a newfound curiosity and exploration.

The title "SOFT HARD," is Kolstad’s translation of the Italian word for piano, pianoforte. It symbolizes Kolstad's exploration of the instrument, slowly gleaning its sonic possibilities and temperament, all while infusing her unmistakable electronic signatures.

Kolstad has released six critically acclaimed albums and has graced stages touring extensively in the USA, UK, Europe, and South America. Her versatility extends beyond music, as she is an accomplished composer in the performing arts. Kolstad has also made commissioned performances in cooperation with esteemed authors such as Jon Fosse, Ann Carson, and Edouard Louis. In 2021, she debuted to acclaim with her first novel "To ord for ødeleggelse" ("Two Words for Destruction"), earning her the coveted Aschehougs debutantpris (Aschehoug's Debut Prize)


LISTEN TO ''WIND'' here

Label: Nordic Records International Publishing: Sinnbus Musikverlag ll 2024 Nordic Records International ll


Thursday 1 February 2024

The Breadlines Back In Fashion

A poem by Ryan B Oxley 



The breadlines are back in fashion,
Foodbank beans and cup-a-soup passions,
Queues at the bus stop, 
Poundland passions, 
Everyone is skint, 
Cos' the breadlines back in Fashion!

The breadlines back in fashion,
Cost-of-living, closed shops,
No jobs, no luck, and no compassion,
Everyone is skint, 
Cos' the breadlines back in Fashion!

The breadlines back in fashion,
Foodbank beans and cost-of-living rations,
Queues at the dole club and Primark passions, 
Everyone is skint, 
Cos' the breadlines back in Fashion!


A poem inspired by Sheffield City Centre, and the words of Doctor John Cooper Clarke


Thursday 30 March 2023

'Late Night, Sheaf Street' - A Sheffield Monologue

 'Late Night, Sheaf Street' first aired via BBC RADIO SHEFFIELD on the 10th of February 2022.

The monologue was written and performed by Ryan Oxley. (c) @rybazoxo Any unauthorised reproduction is strictly prohibited. Please email ryanoxleywriter@gmail.com if you wish to use this material

TIP - If you don't fancy reading it - you can listen to the original audio HERE 








Late night, Sheaf Street - the heart of the city, where the 5 rivers meet. Late night, Sheaf Street - a  Saturday night, one wet weekend in December. Late night, Sheaf Street was the last thing I remember...

 

The lights glared out from the Sheffield railway station forecourt that night. The lit railway station arches showcase the building's emptiness, which you can see through the glass-fronted facade. the desolate ticket offices, public toilets, out of order, and the ‘closed for cleaning’ sign that sits idly in the middle of the floor. I can see the cleaner, leaning on her mop and sipping her coffee. A taxi lays idle in rank, engine running, a radio humming; the distant sound of 'Last Orders' by Richard Hawley, followed by the late-night local news roundup. 


That was the last song I ever heard. 


It was the end of the day, and the night was in full flow. Lights glared through the emptiness of the railway building. The beauty of this Victorian train station facade is clearly visible -not that many people notice. The commuters certainly don’t. You know the type, brashly rushing and bullishly bustling through.  It’s usually the same crowd; rambunctious revellers, students straggling with suitcases, returning to uni or just returning home. the homeless person wanting some change for cheap cider, the lads in football shirts singing songs. They sing in post-match unity, before the inevitable tide turns, no doubt. They probably gave the conductor some grief before they got off the train - you know the type. MIND THE GAP means a position on the football table for them, not a safety instruction. ‘We’re all blades, aren’t we? We’re  All Wednesday aren't we?’ dual chants before the fights break out. No referee this time tho. the only assistants are the flashing lights of the boys in blue, ambulances, checks of CCTV, and appeals for witnesses on social media. R.I.P. and ‘fly safe’ they’ll post in unison and the police will issue grainy, grey, footage that’s blurry and inadmissible.



No one is gonna recognise ‘em, and at least of all, me.

 

I had seen them in fact, but I ignored them, as I walked her to her train that night, and down into the heart of Sheaf Square.


The 'Cutting Edge' Water Fountain - Sheffield Railway Station

 

‘It’s called The Cutting Edge’ init, that’ I said pointing at the railway station's water feature. Just a tidbit of Sheffield knowledge, just to keep her interested.  ‘I like watching the water flow from it’ I said, noting my own reflection in the water sculpture’s lights. She laughed - sharing with me, that infectious giggle that gets sweeter, every time I hear it. The London twang with just a dash of Yorkshire sneaking in, I acknowledged it, mimicking her dulcet tones. ‘I've been around you too long’ she said.  




Funny story really. She stole me, heart... new years eve, it was. Holding hands, and shared a kiss as the clock struck midnight. We were supposed to be in The Leadmill but we went out for a fag and some air, and they wouldn’t let me back in. Too drunk he says, this big burly bruiser of a bouncer. I wasn’t gonna argue with him, that’s for su-ure! I sez ‘reyt, come on then’  and we strolled back down towards the sheaf square fountain, past the cinema, off-licence, crossed that zebra crossing, and we took a seat outside the station itself. 

 

It’s where a few people sit, it’s just stone seats really. You get commuters standing, chatting, smoking, suitcases and bags in tow, walkers, workers, and wallflowers of commuting life. 

 

No people were waiting that night tho, apart from those football lads. 


‘Nice meeting point this? She says, Yeh, I sez ‘There’s that old forge tilt lays under us feet. At this actual spot, where the five rivers meet. Porter, Sheaf, and a few more. 


Sheffield black and white Image instagram.com/ryboxo/

‘You can listen to out for the river on platform 5 - while you wait for the train, luv’ I sez. I glance over and see my reflection in the water feature, and I see those footy lads again. 4 of em, 5 of em? They weren't standing that far away, but close enough. You could almost smell the testosterone - I knew what wa’ coming. ‘Times you train love? I say’ ‘bout 15 minutes, she laughs and replies. ‘I love how you say Luv after everything’ ‘Term of endearment’ I say ‘init’ and anyway I mean it, with you’ love. It had only been a matter of days, but the close dancing in the club, sharing of secrets on the fag breaks, heartfelt drunken declarations. We both knew what it was. We both looked around, admiring sheaf squares late-night luminous, and the moment soon passed.


Sheffield 'Megatron' under the railway station


I twiddled with my hearing aid, whilst she adjusted her lippy, both of us were suddenly sent silent with nervousness and a strange air swirled around, as the station’s automatic doors unexpectedly opened.  As I twiddled with the badge on my suit jacket lapel, - I guess it was that -or the colours on my scarf, that gave the game away, the football lads were suddenly a lot closer. Before I knew it, they were running at me. The intention was clear like they were getting ready to take a penalty. She tried to pull me away from ‘em - grabbing my suit jacket, the badge on my lapel hitting the floor. She tried but she couldn't hold them back on her own. 


I remember seeing that cleaner again, from out of the corner of my eye, which is what made the doors open.

 

My hearing aid hit the floor as I took the first punch before I fell onto the concrete forecourt with a thud to my head. I still felt the first few reigning blows though, dull pain, blurred vision. Then I felt hot, strange for a winter's night, even in Sheffield, and then I looked down and saw blood gushing from the stab wound on my chest. 

We are all blades, aren’t we? 


Then it went blank.

 

Distant voices, sirens, muffled calls for help, she's screaming my name, but I can't answer. Breathing lulls, yet I can still hear my heartbeat. My ears rushed now, like the sounds of the water, flowing through the Megatron below. Then it's outta body. I'm looking down. She's screaming and I see myself motionless by the cutting-edge water feature. 


That cleaner saw it all, they said. She consoled her until the police arrived. Tried stemming the flow with wipes and whatever from her cleaning trolley. It was evident at the inquest. They never got ‘em mind. I guess they got away. The trains don't usually stop that late - so who knows?


She leaves me flowers by the cutting edge, and she still listens for the water at platform 5.  Late night, on Sheaf Street. the heart of the city, where the 5 rivers meet. 



THE END



Written by Ryan Oxley (C) @rybazoxo January 2022